![]() The San Francisco Chronicle rated the film as "wild applause", as critic Edward Guthmann called the film "one of the most provocative, haunting documentaries of the last decade." He also noted that Robert Crumb and wife Aline had drawn a "scornful" cartoon about the film in The New Yorker.Ĭritic Jeffrey M. Roger Ebert gave the film four (of four) stars, writing that " Crumb is a film that gives new meaning to the notion of art as therapy." In The Washington Post, Desson Howe's review was similarly positive. Gene Siskel rated Crumb as the best film of the year. Ebert notes that “it may be true that Zwigoff’s life was saved because he did make the film.”ĭuring the nine years that it took to make the documentary Zwigoff said he was “averaging an income of about $200 a month and living with back pain so intense that I spent three years with a loaded gun on the pillow next to my bed, trying to get up the nerve to kill myself.” ReceptionĬrumb was met with wide acclaim from critics, earning a 95% rating on Rotten Tomatoes. Ebert later clarified this in the audio commentary of the film's Criterion Collection re-release. There was a rumor, accidentally created by Roger Ebert, that Terry Zwigoff made Crumb cooperate by threatening to shoot himself. Robert Crumb initially did not want to make the film, but eventually agreed. ![]() The involvement of Charles and Maxon, which Zwigoff felt was just as important to Robert's story as anything else, led Zwigoff to title the film Crumb to imply the importance of all three brothers. Though filmmaker Zwigoff had the consent of the Crumb brothers, some questioned the ability of the more disturbed brothers to provide that consent. Portraits emerge as well of older brother Charles, who committed suicide before the film was released, and youngest brother Maxon, a panhandler who painted to assuage his inner demons. Interviews with his family members and ex-girlfriends (such as Kathy Goodell), and commentary from critics like Robert Hughes and Trina Robbins, as well as selections from Crumb's vast artist output, shed light on Crumb's psychology and darkly cynical perspective on life. The movie chronicles Crumb's career, highlighting his creations "Keep On Truckin'" and Fritz the Cat, and his pioneering role in the genesis of underground comix. (Crumb's sisters declined to be interviewed.) LEAVE THE KIDDOS AT HOME.Crumb is about the experiences and characters of Robert Crumb and his family, particularly his brothers, Maxon and Charles, as well as Robert's wife Aline Kominsky-Crumb and his children. Saying it again, for the people in the back: CRUMB IS NOT FAMILY FRIENDLY. Popcorn and a cash bar will be available. Rotten Tomatoes rates this film at 95%, along with a review that states, “A fascinating, funny and finally troubling documentary about the prolific, iconoclastic underground cartoonist Robert Crumb.” This film is rated R, so I suggest you leave the kids at home for this one. “Crumb” tells the story of underground cartoonist Robert Crumb in documentary format through interviews with his family and ex-girlfriends. ![]() Then you can come back to Lynchburg and blame Ken Faraoni for showing you this movie. That way, one day when you’re at a comic convention, you can meet him and know way too much information about his personal life for either of your comfort levels. He’s also still happily alive in southern France, so come see a movie about him. One of America’s most iconic underground cartoonists, known for his controversial topics and imagery, Crumb is someone you may have never head of, but probably should have. The life and legend of the one, the only, the infamous, Robert Crumb.
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